Spending multiple days in Bogotá, a large, cold, sprawling
city, warranted a bit of peripheral exploration. Enter: nearby Zipaquirá, home of Colombia’s Salt Cathedral.
Originally merely a salt mine, the Catedral de Sal has gone through several
incarnations before reaching the status of pilgrimage destination, holy
sanctuary, and tourist attraction it possesses today.
Throughout history, up until man developed refrigeration
techniques, salt was incredibly valuable. Understandable, as people tend to be
neither physically tolerant nor especially keen of rotten meat. In fact, our
English-speaking guide informed us, the word ‘salary’ has its roots in the word
‘salt’ (imagine my surprise when a google search confirmed the etymologic
origin). Since the massive salt deposits were discovered several hundred years
ago, Zipaquirá’s salt mine has been active, though it is less prosperous in the
modern age of home appliances.
In the early 1930s, a sanctuary was carved into the mine for
the sake of those who wanted to pray for protection before beginning their
day’s work. In the 1950s, the sanctuary was expanded and dedicated to the
patron saint of miners (because if there’s one thing Catholic countries have no
shortage of, it’s patron saints). However, after 40 years of mining and praying
in the same place, the mine was shut down for structural issues; the problem
with building a cathedral inside a mine is that now your cathedral is in a damn
mine.
After a major facelift, including structural additions and
building only in the inactive areas of the mine, the modern incarnation of the
Catedral de Sal was constructed. It wasn’t cheap or easy, but it is thoroughly
impressive.
The downhill stroll begins with the Stations of the Cross.
Though the rock in the mine is too hard for any detailed carving, each station
features a large stone cross in various symbolic depictions, places to kneel
for those who wish to stop and pray, as well as LED lighting.
A beautiful circular room, complete with an overhead dome,
painstakingly hand-chiseled, represents the division between heaven and earth. Marble
angels, designed by an Italian artist, perch throughout this massive complex.
And, multiple staircases offer sinners the chance to repent before entering the
main cavernous cathedral.
As you reach the farthest point underground (or farthest
reached without donning a hardhat), you enter the main sanctuary. The primary
cathedral is separated into three sections, partially due to structural
limitation, representing the life, death, and resurrection of Jesus. It is
enormous. All told, the Salt Cathedral can (and each Easter Sunday does) hold
up to 8,000 people.
Truly a magnificent feat of engineering and the human
proclivity toward repurposing and interior decorating in places that are
otherwise drab.
